This performance was located in a giant sand pit where the audience would sit, one at a time, on a stool fifty feet/15 metres away from me and put on a headset in which they would hear the live sounds of my body. The sounds were captured through a stethoscope connected to a homemade electronic amplification system. At the end of the piece, I turned off the headset and amplified the sounds throughout the vast landscape.

Au fil du temps, L’Écart, Rouyn Noranda, QC, Canada, 2002

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